Showing posts with label General. Show all posts
Showing posts with label General. Show all posts
Thursday, February 20, 2014
Targeting the Thai market
10:43 PM
About Bhutan, Bhutan Tourist News, booking Tour, Drukair Route, Festival Dates, General, information, International Recognition, News, Special Tour, Thai Tourist, Travel Info
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Targeting the Thai market
As per the PM’s directions, tour operators are preparing packages for the lean season
Tourism: Following the prime minister’s instructions, tour operators and hoteliers in the country have begun working on developing packages to attract Thai tourists during the leaner months of June, July, and August this year.
Some tour operators have already set targets and started appointing marketing representatives in Thailand, while hoteliers are working out discounts they could offer besides Thai specific services.
Last month, lyonchhoen instructed the tour operators to develop packages to attract Thai to commemorate Bhutan’s 25 years of diplomatic relation with Thailand. The initiative was also expected to help promote tourism during lean seasons and make Bhutan an all year round tourist destination.
The target is to bring in 3,000 to 4,000 Thai tourists in June, July and August this year. The least visited months of June, July and August in 2012 saw 6,580 tourists, while 3,229 visited Bhutan in January and February.
Tour operators said, although they have just about three months to market, the proximity with Thailand didn’t require much preparation.
“We have to try our best to bring in more Thai tourists,” a tour operator said. “It means competition, unlike the peak season, when we have the protective tariff where our cut is already included.”
Being a new initiative, another tour operator said they have to bring down their profit margins. “The amount of profit will depend on our bargaining power with hotels, guides and transporters.”
But despite the short notice, many tour operators appreciated the initiative, as it would help everyone in tourism to upgrade their services.
For instance, it would help hotels recruit permanent staff even during lean seasons.
“We’re hoping the initiative would help take the weight off the peak season, during which we lack capacity,” said another tour operator, whose agency is targeting 600 Thai tourists.
Hoteliers are working out room charges, depending on the number of tourists tour operators bring in. All tourists are required to be provided accommodation in hotels rated three-stars and above.
A three star hotel in Thimphu charges Nu 3,000 to 4,000 a night, depending on the facilities.
One of the hoteliers in Thimphu said he would be able to give up to 30 percent discounts during the lean months for Thai tourists. “It’s a good initiative and our business depends on how many tourists we’re able to attract,” he said, adding they were hopeful that the initiative works, so that there is something to look forward to during leaner months.
An official from Zhiwaling hotel said they were preparing for Thai tourists with certain products. “We’re planning to hire a Thai chef, besides providing a lean season discount of about 25 percent,” the official said.
There are 75 tourist standard hotels in the country categorised three-star and above. Paro has the highest number of hotels, resorts and guesthouse at 37, followed by Thimphu and Bumthang with 27 and 23 each. Another 63 are currently under construction, records with TCB show.
The association of Bhutanese tour operators’ president, Karma Lotey, said, more than 30 tour operators have signed up with the tourism council to attend a travel fair in Bangkok.
The national airlines, Drukair, is also exploring off-season discounts of more than 30 percent.
Drukair’s chief executive officer, Tandin Jamso, said they would provide a discount of more than 30 percent from June to August to attract Thai tourists. “In collaboration with local tour operators, packages are also being developed.”
Today, the airfare for foreigners for the Bangkok-Paro sector, inclusive of taxes, is about USD 830 for a round trip, and about USD 420 for a one-way ticket.
From 2,235 Thai tourists in 2011, the country recorded 3,573 Thai tourists in 2012, making Thailand the fourth top source market. Last year, there was a slight drop with 3494 visitors.
Source: Kuensel
By Kinga Dema
Culture Show Performed by Chinese in Bhutan

Culture Show
Cultural show: Chinese artists perform at the Royal Institute of Management auditorium yesterday. The cultural troupe from the People’s Republic of China was led by China International Culture Association Vice President Dong Jungxin and officials from cultural ministry of Guangxi province and the Embassy of China, India.
Source: Kuensel
Monday, February 10, 2014
Americans back on top in tourist arrivals
10:38 PM
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Americans back on top in tourist arrivalset
After falling second for the first time in 2012 to the Japanese, the Americans were once again #1
Tourism: American tourists dominated international arrivals last year, surpassing Japanese tourists who topped arrivals in 2012 .
Of the 52,798 international tourists, who visited the country last year, the highest were Americans, with about 6,927 visitors, a tentative arrival list by nationality show.
After the US, the other top source markets were China with about 4,764 tourists, Japan with about 4,015 and about 3,494 Thai tourists.
Americans continued to dominate international tourist arrivals until 2011. However, in 2012, for the first time, it was Japanese tourists that topped the market.
Japanese tourists surpassing American tourists in 2012 was mainly attributed to Their Majesties’ visit to Japan in 2011, which generated “enormous” publicity, followed by Tourism Council of Bhutan’s (TCB) follow-up promotions in Japan.
Also, for the first time in four years, Chinese tourists surpassed Japanese tourists, emerging as the second top source market last year.
The country usually saw the highest arrivals from the US followed by Japan. In 2010, Germany saw an increase of about 42 percent in arrivals, overtaking the UK.
“During the same year, China represented a promising new market and was rated among the top five major markets for the first time with an increase of about 30 percent over 2009,” the tourism monitor stated.
In 2011, China emerged as the third top source markets with 2,896 visitors, records with Tourism Council show. During the same year, Thailand stood fifth among the top source markets with 2,235 visitors.
While arrival figures from top source markets were important, the tourism monitor stated that measuring source markets based on duration of stay was a valuable indicator. “Yield and revenue are linked to the duration of stay,” the monitor stated.
Despite the increase in arrivals from neighbouring Asian countries, Tourism Council records indicated that tourists from US always visited for a longer period, contributing to higher revenue, followed by countries like the UK and Germany.
After dominating the top source market for a long time, the US dropped to the second in 2012, followed by Chinese, Thai and British tourists. That year, the country recorded 105,407 international and regional tourists.
“A record increase in the top Asian markets like Japan, China, Thailand, Singapore and Malaysia propelled the Asia/Pacific region to be the dominating market region in the world,” the 2012 tourism monitor stated.
The increase in arrivals from neighbouring Asian countries, tour operators, said was an advantage for tourism industry, considering the effort towards promoting the country as a all year-round tourist destination.
A majority of Asians, tour operators said, travelled during summer months to escape the heat. “So that’s when we have to package tours and market accordingly to attract Asian tourists and so far, our efforts have paid off,” a tour operator said.
Last year, 116,224 international and regional tourists visited the country, an increase by about 10 percent or 10,810 tourists from the previous year.
Of the total arrivals, 44,267 were international or Dollar paying tourists, 8,531 under international business, while the rest 63,426 were regional tourists.
Source: Kuensel
By Kinga Dema
Monday, November 18, 2013
Trekking’s picking up steam
Trekking’s picking up steam t

… with travellers from closer to home, the so-called regional tourists
Tourism: A growing number of regional tourists are venturing into trekking activities, with many high-end regional tourists wanting to visit Bhutan for trekking only, say tour operators.
Visitors from India, Bangladesh and Maldives are referred to as regional tourists. They are exempt from the minimum daily tariff and do not require visas. Regional tourists, who come in by air, are considered high-end, owing to their contribution to tourism through airline earnings.
A local tour operator, Fly to Bhutan, catered to about three Indian trekking groups, comprising 16 people, so far, this year. “We also had the first group for the Laya-Gasa trek,” said the sales and operations manager, Dorje. “Indians are more interested in short duration treks, which range from four to five days.”
There are no separate records maintained for regional trekking or cultural tourists. Tour operators, catering to Indian tourists, said there could be about 100 trekking tourists from India this year.
Trekking tourists are charged about Nu 10,000 per night, per head, which is inclusive of food and lodge. “We provide the same services, just as we cater to international trekking tourists,” he said. “We target high-end tourists, as they can afford to pay.”
“It also helps to have good counterpart agents in India,” added Dorje
Tourism council of Bhutan’s (TCB) Damcho Rinzin said regional tourists comprise family visitors, who mostly engage in cultural tourism activities. There is an increasing young, active and outdoor experience-seekers interested to visit Bhutan. “So it’s important that we promote our nature related adventure tourism products to these kinds of adventure seekers,” he said.
Despite getting queries on trekking based activities from a lot of high-end regional tourists, tour operators said logistics was an issue, as regional tourists didn’t route through a tour operator.
Last year, almost two-thirds of the total regional tourists came on their own, while the rest were part of packaged tours through tour operators, according to TCB. Tour operators in India also offer packaged tours, partnering with local hotels in Bhutan.
Keys to Bhutan, destination management company for Make My Trip, India, has been targeting the Indian market for more than eight years, promoting both trekking and outdoor activities. “Somehow we’ve failed as it didn’t pick up as expected,” said general manager, Raju Rai.
Raju Rai said it was challenging to promote treks, which required trekking permits from various agencies. “Due to such formalities, we gave up after a few groups,” he said. “But now I’m sure there’s a proper channel to obtain permits for regional tourists, which could have eased things.”
TCB’s Damcho Rinzin said managing regional tourists has been a challenge because of their flexibility in arranging their trips, on their own. “However, we encourage and highlight the benefits of using the services of professional Bhutanese tour operators,” he said. “We’re also looking at improving and initiating systems to make it easier for regional tourists to route their travel through a local tour operator.”
Last year, 105, 407 tourists visited the country, of which 50,722 were regional visitors from the neighbouring countries of India and Bangladesh.
As is the trend, last year, a majority of the regional tourists comprised visitors from India, said tourism officials. About 86 percent of the visitors were from India, followed by about 12 percent from Bangladesh, and the rest from Maldives.
TCB official said there are huge numbers of regional tourists, who travel to other countries from the neighbouring countries. “If we can tap the high-end segment, then it’ll highly benefit our tourism industry,” said Damcho Rinzin. “Regional tourists, especially from India, travel in summer months, when it’s low tourist season in Bhutan.”
As of October this year, 95,931 visited the country, of which 43,398 were international tourists and 52,533 were regional tourists.
Source: Kuensel
By Kinga Dema
Friday, November 15, 2013
Tourist numbers register increases
10:42 PM
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Tourist numbers register increases
Tourism: About 20,160 regional and international or dollar paying tourists visited the country last month.
This was an increase of 27.98 percent from those who visited the country in October last year. Tourism council of Bhutan (TCB) recorded 15,752 regional and international tourists last year.
The month is also considered as the time of the year when tour operators, hoteliers, guides, and handicraft shops make more money. Drukair also deploys additional flights to accommodate the increase in passengers.
The total tourist arrivals until last month was 95,931, records maintained by TCB stated. “About 43,398 were international and 52,533 regional tourists,” an official from TCB said.
This was also an increase of 7.6 percent from same period last year. “Until October last year, 89,139 tourists visited the country,” the official said.
Regional tourists are those from India, Bangladesh, and Maldives. They do not pay the minimum daily tariff of USD 250 and USD 200 during the peak and lean seasons, and do not require visas. Most of the regional tourists are from India.
“Looking at the trend so far, we’re positive that we’ll be able to meet our 2013 target,” said a tourism council official. By the end of the 11th five-year plan, TCB intends to meet the goal of 200,000 tourist, officials said.
The president of association of Bhutanese tour operators, Karma Lotey, said the tourism industry should promote more high-end tourists than sheer numbers. “This will help in the preservation of our culture and tradition and promotion of GNH values,” he said. “As a small nation, we need to tread carefully for the sake of the sustainability of tourism business in the future.”
Source: Kuensel
By Kinga Dema
Saturday, September 7, 2013
Boom in Chinese tourist numbers
They now make up the third major market for the industry
“Bhutanese culture isn't the main attraction for Chinese tourists,” said a tour operator. “It’s to do with the happiness factor. Most Chinese tourists say they come to experience happiness in Bhutan.”
Tourism: From 19 in 2003, Chinese tourists visiting Bhutan is emerging as the third major market for the tourism industry after Japan and the United States since 2011.
The tourism council of Bhutan (TCB) recorded the highest number of Chinese tourists last year at 3,766, an increase of more than 30 percent from the previous year.
Japanese were the number one international visitor at 6,967 last year, a 77 percent increase from the previous year, followed by 6,007 from USA.
Last year, tourist arrivals stood at 105,407; of which 54,685 were dollar-paying tourists, and 50,722 were regional visitors from the neighboring countries of India and Bangladesh.
The wedding of the Hong Kong actor couple in Bhutan in 2007, according to tour operators, helped promote Bhutan as a tourist destination. In 2010, about 21 Bhutanese travel companies visited China for marketing and promotion.

Chinese tourists usually visit the country in October and during their New Year, which coincides with the Bhutanese Losar. Students visit during their summer breaks in July and August.
Officials of the national airline, Drukair, in an earlier interview, said it was mostly Chinese tourists, who usually flew in from Kathmandu in February, and this year there were also requests for chartered flights.
According to UN world tourism organisation (UNWTO), Chinese travellers spent USD 102B on international travel in 2012, about 40 percent more than what they spent in 2011. “More than 80M Chinese travelled internationally in 2011, outspending German tourists, the longtime leader in overseas travel spending for the first time,” the UNWTO report released in April this year states.
In Bhutan too, China made it to the top five major markets for the first time in 2010, with an increase of about 30 percent in arrivals from 2009. (see graph)
According to the 2012 Bhutan tourism monitor, Chinese tourists visited Bhutan for a short holiday period. “Their time of visitation is spread throughout the year, with a slight majority skewed towards September to November months,” the monitor states.
Chinese tourists, who visited the country, were highly educated, with the majority holding university degrees, according to TCB. About 64 percent of the total visitors were in Bhutan for the first time, while about 27 percent of them came for the third time.
About 34 percent of Chinese tourists came to visit only Bhutan, while the rest combined their trips with neighboring countries, like Nepal and Thailand.
Just as Chinese travel in other parts of the globe in large groups, a majority of Chinese tourists also came to Bhutan in groups. “About 49 percent of the visitors came in as ‘group of friends’, followed by about 21 percent as couples, and about 20 percent as part of organised tour groups,” according to the tourism monitor.
A leading tour company in China has estimated that about 90 percent of the Chinese visitors travel in larger groups, moving from destination to destination while staying at budget hotels.
Visitors from USA stayed for eight days last year, according to TCB records, while Chinese and Japanese tourists spent an average of 4.96 and 4.88 days respectively. “Asian tourists staying for shorter duration is a stable trend and does not seem to change with the years,” states the monitor.
Last year, a majority of the Chinese visitors flew in by air through Kathmandu, while the rest came through Thailand.
Despite the drop in international tourists arrival this year, tour operators said they were expecting more Chinese tourists.
Source: Kuensel
By Kinga Dema
Thursday, August 1, 2013
Thimphu and Paro make it to the top 10 friendliest cities in the world
The Top 10 Friendliest Cities in the World
Readers of Condé Nast Traveler magazine have named a seaside, partygoers' destination on an island in the south of Brazil the friendliest in the world.
![]() |
Thimphu Seen from Kuenselphodrang |
A common thread among the top 10 friendliest cities is that most are small to mid-sized destinations from less affluent, modest countries such as Bhutan, Burma, Ireland and Indonesia.
Predictably, nowhere is there a New York, London or Tokyo in sight.
And interestingly, while the top 10 friendliest list includes a lone US representative (Charleston, South Carolina), half of the cities listed as the top unfriendliest destinations are American.
Paro Dzong |
Here are the top 10 friendliest cities in the world, according to readers of Condé Nast Traveler magazine.
Friendliest
1. Florianopolis, Brazil
2. Thimphu, Bhutan
3. Queenstown, New Zealand
4. Charleston, South Carolina
5. Paro, Bhutan
6. Margaret River, Australia
7. Mandalay, Burma
8. Kilkenny, Ireland
9. Ubud, Bali, Indonesia
10. Chiang Mai, Thailand
Source: Yahoo News Singapore
2. Thimphu, Bhutan
3. Queenstown, New Zealand
4. Charleston, South Carolina
5. Paro, Bhutan
6. Margaret River, Australia
7. Mandalay, Burma
8. Kilkenny, Ireland
9. Ubud, Bali, Indonesia
10. Chiang Mai, Thailand
Source: Yahoo News Singapore
Thursday, June 6, 2013
Royal Textile Academy inaugurated
Source: Kuensel
With a dzong like structure, the Royal Textile Academy (RTA) that stands tall at the far end of the capital in Chubachu is now open to visitors.
Surrounded by the buzzing city life at one end to lush green paddy fields on the other, the RTA, which was inaugurated yesterday, stands three storied tall, symbolic of the country’s rich cultural heritage.
The flight of stairs ends at the glass door of the textile museum that has a collection of kiras on sale. It’s the museum’s first floor that houses rare textiles that date back to the 17th century. Protected within thick glass cases are the ‘never seen before’ royal collections on display.
Some of the royal collections comprise the Raven Crown, the royal wedding crowns; royal wedding dresses, including the intricately designed wedding shoes of Her Majesty the Gyeltsuen.
The next room, located a few stairs up, displays artifacts from the late 19th century, such as a hat (zham), queen’s or princesses’ hat (pesha-zham), throne cover (thrikheb) and seat cover (denkheb).
Other textiles such as a woman’s shoulder cloth (namza rachu), brooch (koma), and different designs of kira, tego, wonju and gho from different communities in the country are also on display.
Across the textile museum is the weaving centre, where a few weavers are at work, plucking in different intricate designs on their looms.
The royal patron and founder, Her Majesty the Queen Mother, Gyalyum Sangay Choden Wangchuck, inaugurated the textile museum and the weaving centre.
Her Majesty the Queen Mother said the royal textile academy was founded with a mission to educate, promote and preserve Bhutanese textiles.
“The academy will also create international awareness and encourage international collaboration to promote mutually beneficial exhibits and education programs,” the Queen Mother said.
Dr Fredrick Paulsen of Ferring Group, who is fascinated by the country’s history of art, textiles and carpet weaving, funded the academy’s construction.
“After assembling priceless collections of historical Bhutanese carpets from around the world, he returned them to Bhutan with the mission of retaining the special culture,” the Queen Mother said.
RTA’s executive director, Rinzin O Dorji, said, besides preserving and promoting Bhutanese textile, the weaving centre would train new students, who are interested in the art of weaving, yarn dyeing and other contemporary skills related to fashion design and merchandising.
“The project of the construction of RTA is divided into four phases, where phase one included the construction of the textile museum, plaza, entrances and the courtyard,” she said. “Phase two consists of the construction of the textile school and the conservation centre.”
To date, the project’s phase two has been completed with a budget of USD 2.9M that was donated from the government of India and other donors.
With Dr Fredrick Paulsen’s donation of USD 3M, the project’s phase three of constructing the administrative blocks will start. Phase four would be the construction of a banquet hall that would seat over a thousand people.
The academy is built on 4.75 acres of leased government land. The museum is open for visitors from 9AM to 4PM every day except Sundays. A national will have to pay an entry fee of Nu 10, while for SAARC country nationals, it’s Nu 25, and Nu 150 for others, including tourists.
The RTA was founded in 2005 as a non-profit, non-governmental civil society organisation.
Today, there will be a fashion show on Bhutanese textile at the RTA from 7PM.
By Thinley Zangmo
With a dzong like structure, the Royal Textile Academy (RTA) that stands tall at the far end of the capital in Chubachu is now open to visitors.
![]() |
Her Majesty the Queen Mother, Gyalyum Sangay Choden Wangchuck with Dr Fredrick Paulsen at the textile museum |
Surrounded by the buzzing city life at one end to lush green paddy fields on the other, the RTA, which was inaugurated yesterday, stands three storied tall, symbolic of the country’s rich cultural heritage.
The flight of stairs ends at the glass door of the textile museum that has a collection of kiras on sale. It’s the museum’s first floor that houses rare textiles that date back to the 17th century. Protected within thick glass cases are the ‘never seen before’ royal collections on display.
Some of the royal collections comprise the Raven Crown, the royal wedding crowns; royal wedding dresses, including the intricately designed wedding shoes of Her Majesty the Gyeltsuen.
The next room, located a few stairs up, displays artifacts from the late 19th century, such as a hat (zham), queen’s or princesses’ hat (pesha-zham), throne cover (thrikheb) and seat cover (denkheb).
Other textiles such as a woman’s shoulder cloth (namza rachu), brooch (koma), and different designs of kira, tego, wonju and gho from different communities in the country are also on display.
Across the textile museum is the weaving centre, where a few weavers are at work, plucking in different intricate designs on their looms.
The royal patron and founder, Her Majesty the Queen Mother, Gyalyum Sangay Choden Wangchuck, inaugurated the textile museum and the weaving centre.
Her Majesty the Queen Mother said the royal textile academy was founded with a mission to educate, promote and preserve Bhutanese textiles.
“The academy will also create international awareness and encourage international collaboration to promote mutually beneficial exhibits and education programs,” the Queen Mother said.
Dr Fredrick Paulsen of Ferring Group, who is fascinated by the country’s history of art, textiles and carpet weaving, funded the academy’s construction.
“After assembling priceless collections of historical Bhutanese carpets from around the world, he returned them to Bhutan with the mission of retaining the special culture,” the Queen Mother said.
RTA’s executive director, Rinzin O Dorji, said, besides preserving and promoting Bhutanese textile, the weaving centre would train new students, who are interested in the art of weaving, yarn dyeing and other contemporary skills related to fashion design and merchandising.
“The project of the construction of RTA is divided into four phases, where phase one included the construction of the textile museum, plaza, entrances and the courtyard,” she said. “Phase two consists of the construction of the textile school and the conservation centre.”
To date, the project’s phase two has been completed with a budget of USD 2.9M that was donated from the government of India and other donors.
With Dr Fredrick Paulsen’s donation of USD 3M, the project’s phase three of constructing the administrative blocks will start. Phase four would be the construction of a banquet hall that would seat over a thousand people.
The academy is built on 4.75 acres of leased government land. The museum is open for visitors from 9AM to 4PM every day except Sundays. A national will have to pay an entry fee of Nu 10, while for SAARC country nationals, it’s Nu 25, and Nu 150 for others, including tourists.
The RTA was founded in 2005 as a non-profit, non-governmental civil society organisation.
Today, there will be a fashion show on Bhutanese textile at the RTA from 7PM.
By Thinley Zangmo
Friday, May 10, 2013
New trends in tourist arrivals
Going native: Tourists at the Thimphu tshechu Inter alia, in terms of places of origin and ports of entry, as per a new report
Almost 80 percent of the tourists, who flew into the country last year, had travelled to Bhutan solely for holidays, while the rest were on official or business tours, the recently launched Bhutan tourism monitor states.
Tourism arrivals last year were recorded at 105,407, an increase of 64.62 percent from the previous year. Of the total 54,685 were international or dollar paying tourists and 50,722 were regional visitors from the neigbouring countries of India and Bangladesh. “Of the total arrival last year, 77,700 visitors were tourists, who solely visited Bhutan for the purpose of holidaying,” the tourism monitor states. Among the arrivals, Japanese tourists surpassed arrivals from the United States, which, until last year, continued to dominate international tourist arrivals. Last year, Japanese tourist arrivals constituted 15.98 percent of the total arrivals, followed by USA with 13.67 percent and China with 8.57 percent. “Arrivals from Zambia, Seychelles and Malta were recorded for the first time, suggesting a growing interest for Bhutan in the global community,” the tourism monitor states. The major entry and exit ports used by tourists last year were Bangkok, Thailand and Kathmandu, Nepal with 41.49 percent and 25.90 percent of the total arrivals. This, according to the tourism monitor, is a notable change as Delhi, India used to be the most preferred port than Kathmandu in the last few years. “International visitors entering Bhutan seldom use the Bodh-Gaya sector,” states the report. The monitor also states that the Singapore sector, which was opened in the third quarter of 2012, also saw significant arrival figures, suggesting a viable entry point for visitors. Like the past years, Bhutan continues to be a cultural destination, with about 99.26 percent of the tourists visiting on cultural tour. Nature-based activities, such as trekking, bird watching, flora and fauna and adventure sports, accounted for 13.04 percent. Last year, the average length of stay stood at 6.90 days, a slight decrease from 2011’s 7.53 days, which was attributed to the significant growth rates in arrivals from Asian markets, who usually have shorter lengths of stay. Trends for source markets, such as USA, Japan or Europe and their average length of stay, however, remain almost the same over the years. The source market with highest average length of stay was Switzerland, spending around 10.91 days in Bhutan, followed by Netherlands, Australia and Germany. “Asian tourists staying for shorter duration is a stable trend and does not seem to change with the years,” the tourism monitor states. Last year, Chinese visitors stayed for 4.96 days, while the Japanese and Thai tourists stayed for 4.88 and 4.21 days respectively. Going by the arrivals, Malaysia stands as an emerging Asian market, being featured in last year’s top ten markets.
Source: Kuensel
By Kinga Dema
Saturday, April 13, 2013
Popular Routes of Trekking
6:00 AM
Bhutan Tourist News, General, News, Special Tour, Top Tourist Destination, Trekking
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Source: K2 By kinga Dema

Monday, February 25, 2013
Paro Tsechu
5:10 AM
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Source: Tourism Council of Bhutan
Paro Tsechu: 25th March - 2nd April, 2013
The Paro tsechu in spring is a major attraction in Paro district. People come from neighbouring districts to participate in the festivity. On the final day, the best time to go is early in the morning as the monks of the Paro Dzong prepare to display a giant appliqué thangkha, the Guru Throngdel, inside the dzong.
Day 1: (inside the dzong)
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
The Black Hat Dance (Shanag)
The black hat dancers assume the role of yogis with the power to subdue and create life. The dancers wear brocade robes, wide brimmed black hats and aprons with the face of a protective deity. This is an important dance that is also used in purification ceremonies during the construction of dzongs, temples, chortens.
Dance of the Drum from Dramitse (Dramitse Ngacham)
A dance inspired in meditation. The dance is a vision of Guru Rinpoche and his celestial palace, Zangdopelri. Here, Guru’s attendants are transformed into hundreds of peaceful and terrifying deities. The dance originated in Dramitse Monastery in eastern Bhutan and is considered a Bhutanese heritage.
Dance of the Eight Kinds of Spirits (Degye)
A dance of the gods of the three worlds (sky, earth, underground). The gods protect the doctrines of the Buddha and subdue the spirits who make the world unhappy. Endless happiness is recovered. The dance is performed by the gods (believed to be incarnated in the dancers themselves) to renew faith and wisdom.
Religious song (Chhoeshay)
This commemorates the opening of the gateway to the pilgrimage site of Tsari in eastern Tibet by the founder of the Drukpa School of Buddhism, Tsangpa Jarey.
Day 2: (outside the dzong)
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Black Hats with drums (Shanag Nga Cham)
A dance to signify the victory of religion over enemies. The sound of the drum represents religion itself.
Dance of the Three Kinds of Ging with sticks (Gingsum)
A dance signifying the subjugation of demons that are obstacles to religions. It takes place in Zangtopelri, the heavenly palace of Guru Rinpoche.
Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
Dance of the Three Kinds of Ging with drums (Driging)
After the demons are vanquished, the gings with the drums dance with happiness. They beat the drums of religion and the dance is performed to bring good luck to all beings and to wish them happiness. This dance brings blessings to all who watch it.
Dance of the Stag and the Hounds (Shawa Shachi) – 1st part
The dance tells a favourite tale of Milerepa who converts a hunter to Buddhism.
Day 3: Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
Dance of the Terrifying Deities (Tungam)
Dressed in beautiful brocade and terrifying masks, this is a deeply symbolic dance where a sacrificial murder is performed. Guru Rinpoche appears in a wrathful manifestation to save the world. The dance is meant to show all beings the way to salvation.
Dance of the Heroes with six kinds of ornaments (Guan Drug Pawo)
The heroes hold six ornaments – five rings of bone ornaments and a small drum and bell in their hands. By their gestures and the sound of their melodies, the heroes lead sentient beings from the wheel of reincarnation along the path of liberation.
Kyecham is an accompanying dance to the next dance. The kyecham dancers wear knee-length yellow skirts, and animal masks.
Dance of the Noblemen and Ladies (Pholeg Moleg)
A comical play that depicts the life of King Norzang. The play is full of bawdy and rustic humour as two princes and two princesses, and old couple and clowns enact a story of misbehaviour, deceit, and mistrust. The story ends happily with the princes marrying the princesses and reconciliation takes place as a lesson to life.
Dance of the Stag and the Hounds – 2nd part
This is a conclusion of the dance began on the second day. The saint Milarepa appears in a long white dress and converts the dogs, stag and the hunter with a song. The conversion is symbolised by the hunter and his dogs jumping a rope.
Day 4:
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Four Stags (Sha Tsam)
A dance that depicts Guru Rinpoche subduing the God of Wind who is believed to have created unhappiness on earth. Dancers dress as stags in yellow knee length dress and masks of the deer. The stag represents the mount of the God.
Dance of the Judgement of the Dead (Raksha Mangcham)
This dance is based on the Bardo (Book of the Dead). When beings die they wander in an intermediate state known as the bardo. They cross the bardo to meet their judgement by the Lord of Death. Also present is the white god and black demon who have been with every being from birth. The dance is like a play which depicts the judgement of a sinner and a virtuous man who goes to heaven. The rakshas are the helpers of the Lord of Death.
Dance of the Drums from Dramitse (Dramitse Nga Cham)
A dance inspired in meditation. The dance is a vision of Guru Rinpoche and his celestial palace, Zangdopelri. Here, Guru’s attendants are transformed into hundreds of peaceful and terrifying deities. The dance originated in Dramitse Monastery in eastern Bhutan and is considered a Bhutanese heritage.
Day 5:
The great thangkha (thongdrel) is shown early in the morning followed by the Shugdrel ceremony.
Dance of the Heroes (Pacham)
A dance to lead believers in the human world into the presence of Guru Rinpoche.
Dance of the Ging and Tsholing
Guru Rinpoche initiated this dance during the consecration of the ancient Samye Monastery in Tibet. The dance is a purification ceremony. People whistle to chase away bad spirits. The ging, dressed in orange skirts and a terrifying mask, use their drumsticks to hit everyone on the head to drive out impurity. The tsolingrepresent protectors of the religion and are dressed in long colourful dresses and terrifying masks.
Dance of the Eight Manifestations of Guru Rinpoche (Guru Tshen Gye)
This dance is one of the highlights for Buddhist practitioners. The Guru appears in eight different forms in a dance that is also a play.
Dance of the Sixteen Fairies
After all eight manifestations appear, 16 fairies sing and perform two dances in front of the Guru. The fairies are Goddesses of Offerings who perform a dance to bring happiness. They are dressed in brocade dresses with carved bone ornaments. After these final songs, the manifestations go out in a long procession.
Religious Song (Chhoeshay)
This commemorates the opening of the gateway to the pilgrimage site of Tsari in eastern Tibet by the founder of the Drukpa School of Buddhism, Tsangpa Jarey.
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
The Black Hat Dance (Shanag)
The black hat dancers assume the role of yogis with the power to subdue and create life. The dancers wear brocade robes, wide brimmed black hats and aprons with the face of a protective deity. This is an important dance that is also used in purification ceremonies during the construction of dzongs, temples, chortens.
Dance of the Drum from Dramitse (Dramitse Ngacham)
A dance inspired in meditation. The dance is a vision of Guru Rinpoche and his celestial palace, Zangdopelri. Here, Guru’s attendants are transformed into hundreds of peaceful and terrifying deities. The dance originated in Dramitse Monastery in eastern Bhutan and is considered a Bhutanese heritage.
Dance of the Eight Kinds of Spirits (Degye)
A dance of the gods of the three worlds (sky, earth, underground). The gods protect the doctrines of the Buddha and subdue the spirits who make the world unhappy. Endless happiness is recovered. The dance is performed by the gods (believed to be incarnated in the dancers themselves) to renew faith and wisdom.
Religious song (Chhoeshay)
This commemorates the opening of the gateway to the pilgrimage site of Tsari in eastern Tibet by the founder of the Drukpa School of Buddhism, Tsangpa Jarey.
Day 2: (outside the dzong)
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Black Hats with drums (Shanag Nga Cham)
A dance to signify the victory of religion over enemies. The sound of the drum represents religion itself.
Dance of the Three Kinds of Ging with sticks (Gingsum)
A dance signifying the subjugation of demons that are obstacles to religions. It takes place in Zangtopelri, the heavenly palace of Guru Rinpoche.
Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
Dance of the Three Kinds of Ging with drums (Driging)
After the demons are vanquished, the gings with the drums dance with happiness. They beat the drums of religion and the dance is performed to bring good luck to all beings and to wish them happiness. This dance brings blessings to all who watch it.
Dance of the Stag and the Hounds (Shawa Shachi) – 1st part
The dance tells a favourite tale of Milerepa who converts a hunter to Buddhism.
Day 3: Dance of the Lords of the Cremation Grounds (Durdag)
A dance that takes place in cremation grounds. The dancers wear skull masks and represent protectors of the religion who live in the eight cremation grounds on the periphery of the symbolic Mt. Sumeru.
Dance of the Terrifying Deities (Tungam)
Dressed in beautiful brocade and terrifying masks, this is a deeply symbolic dance where a sacrificial murder is performed. Guru Rinpoche appears in a wrathful manifestation to save the world. The dance is meant to show all beings the way to salvation.
Dance of the Heroes with six kinds of ornaments (Guan Drug Pawo)
The heroes hold six ornaments – five rings of bone ornaments and a small drum and bell in their hands. By their gestures and the sound of their melodies, the heroes lead sentient beings from the wheel of reincarnation along the path of liberation.
Kyecham is an accompanying dance to the next dance. The kyecham dancers wear knee-length yellow skirts, and animal masks.
Dance of the Noblemen and Ladies (Pholeg Moleg)
A comical play that depicts the life of King Norzang. The play is full of bawdy and rustic humour as two princes and two princesses, and old couple and clowns enact a story of misbehaviour, deceit, and mistrust. The story ends happily with the princes marrying the princesses and reconciliation takes place as a lesson to life.
Dance of the Stag and the Hounds – 2nd part
This is a conclusion of the dance began on the second day. The saint Milarepa appears in a long white dress and converts the dogs, stag and the hunter with a song. The conversion is symbolised by the hunter and his dogs jumping a rope.
Day 4:
Dance of the Lord of Death and his Consort (Shinje Yab Yum)
Bodhisattva Manjusri – representing the wisdom of all Buddhas – takes on the appearance of the terrifying Lord of Death (Shinje). His wrathful buffalo face guards the four continents.
Dance of the Four Stags (Sha Tsam)
A dance that depicts Guru Rinpoche subduing the God of Wind who is believed to have created unhappiness on earth. Dancers dress as stags in yellow knee length dress and masks of the deer. The stag represents the mount of the God.
Dance of the Judgement of the Dead (Raksha Mangcham)
This dance is based on the Bardo (Book of the Dead). When beings die they wander in an intermediate state known as the bardo. They cross the bardo to meet their judgement by the Lord of Death. Also present is the white god and black demon who have been with every being from birth. The dance is like a play which depicts the judgement of a sinner and a virtuous man who goes to heaven. The rakshas are the helpers of the Lord of Death.
Dance of the Drums from Dramitse (Dramitse Nga Cham)
A dance inspired in meditation. The dance is a vision of Guru Rinpoche and his celestial palace, Zangdopelri. Here, Guru’s attendants are transformed into hundreds of peaceful and terrifying deities. The dance originated in Dramitse Monastery in eastern Bhutan and is considered a Bhutanese heritage.
Day 5:
The great thangkha (thongdrel) is shown early in the morning followed by the Shugdrel ceremony.
Dance of the Heroes (Pacham)
A dance to lead believers in the human world into the presence of Guru Rinpoche.
Dance of the Ging and Tsholing
Guru Rinpoche initiated this dance during the consecration of the ancient Samye Monastery in Tibet. The dance is a purification ceremony. People whistle to chase away bad spirits. The ging, dressed in orange skirts and a terrifying mask, use their drumsticks to hit everyone on the head to drive out impurity. The tsolingrepresent protectors of the religion and are dressed in long colourful dresses and terrifying masks.
Dance of the Eight Manifestations of Guru Rinpoche (Guru Tshen Gye)
This dance is one of the highlights for Buddhist practitioners. The Guru appears in eight different forms in a dance that is also a play.
Dance of the Sixteen Fairies
After all eight manifestations appear, 16 fairies sing and perform two dances in front of the Guru. The fairies are Goddesses of Offerings who perform a dance to bring happiness. They are dressed in brocade dresses with carved bone ornaments. After these final songs, the manifestations go out in a long procession.
Religious Song (Chhoeshay)
This commemorates the opening of the gateway to the pilgrimage site of Tsari in eastern Tibet by the founder of the Drukpa School of Buddhism, Tsangpa Jarey.
Monday, February 11, 2013
Bhutan Festival Dates 2013
SL#
|
FESTIVAL
|
PLACE
|
DATES
|
1
|
PUNAKHA DRUBCHHEN
|
Punakha Dzong, PUNAKHA
|
15th – 19th February
|
2
|
PUNAKHA TSHECHU
|
Punakha Dzong, PUNAKHA
|
20th – 22nd February
|
3
|
CHHORTEN KORA
|
Chorten Kora, TRASHI YANGTSE
|
25th February & 11th March
|
4
|
GOMPHUKORA
|
Gom Kora Lhakhang, TRASHIGANG
|
20th – 22nd March
|
5
|
PARO TSHECHU
|
Rinpung Dzong, PARO
|
23rd – 27th March
|
6
|
CHHUKHA TSHECHU
|
Chhukha Dzong, CHHUKHA
|
25th – 27th March
|
7
|
URA YAKCHOE
|
Ura Lhakhang, BUMTHANG
|
21st – 25th April
|
8
|
NIMALUNG TSHECHU
|
Nimalung Dratshang, Chummi, BUMTHANG
|
16th – 18th June
|
9
|
KURJEY TSHECHU
|
Kurjey Lhakhang, Choekhor, BUMTHANG
|
18th June
|
10
|
THIMPHU DRUBCHEN
|
Tashichho Dzong, THIMPHU
|
9th – 13th September
|
11
|
WANGDUE TSHECHU
|
Wangdi Dzong, WANGDUEPHODRANG
|
12th – 14th September
|
12
|
TAMSHING PHALA CHHOEPA
|
Tamshing Lhakhang, Choekhor, BUMTHANG
|
13th – 15th September
|
13
|
THIMPHU TSHECHU
|
Tashichho Dzong, THIMPHU
|
14th – 16th September
|
14
|
THANGBI MANI
|
Tangbi Lhakhang, Choekor, BUMTHANG
|
18th – 20th September
|
15
|
JAMBAY LHAKHANG DRUP
|
Jambay Lhakhang, Choekhor, BUMTHANG
|
18th – 22nd October
|
16
|
PRAKHAR DUCHHOED
|
Prakar Lhakhang, Chummi, BUMTHANG
|
19th – 21st October
|
17
|
CRANE FESTIVAL
|
Gangtey Gonpa, Phobjikha, WANGDUEPHODRANG
|
11th November
|
18
|
MONGAR TSHECHU
|
Mongar Dzong, MONGAR
|
9th – 12th November
|
19
|
PEMAGATSHEL TSHECHU
|
Pemagatshel Dzong, PEMAGATSHEL
|
9th – 12th November
|
20
|
TRASHIGANG TSHECHU
|
Trashigang Dzong, TRSASHIGANG
|
10th – 13th November
|
21
|
NALAKHAR TSHECHU
|
Nga Lhakhang, Choekhor, BUMTHANG
|
17th – 19th November
|
22
|
TRONGSA TSHECHU
|
Trongsa Dzong, TRONGSA
|
9th – 11th January 2014
|
23
|
LHUENTSE TSHECHU
|
Lhuentse Dzong, LHUENTSE
|
9th – 11th January 2014
|
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